![]() In spite óf a short-Iived mainstream career comprising seven decades, he can be widely regarded as one of the nearly all influential electric powered guitarists in the background of blues music, and one of the almost all important numbers in the rebirth of bIues in the 1980s. Sometimes the borrowing was overt, and other times subtle, but it all blended together into a style that recalled the past while seizing the excitement and essence of the present.Stephen Ray Vaughan (OctoAug 27, 1990), recognized as Stevie Beam Vaughan, had been an United states musician, singer, songwriter, and report manufacturer. It becomes clear that Vaughan's true achievement was finding something personal and emotional by fusing different elements of his idols. The album is paced like a club show, kicking off with Vaughan's two best self-penned songs, "Love Struck Baby" and "Pride and Joy," then settling into a pair of covers, the slow-burning title track and an exciting reading of Howlin' Wolf's "Tell Me," before building to the climax of "Dirty Pool" and "I'm Crying." Vaughan caps the entire thing with "Lenny," a lyrical, jazzy tribute to his wife. When Vaughan and Double Trouble cut the album over the course of three days in 1982, he had already played his set lists countless times he knew how to turn this material inside out or goose it up for maximum impact. ![]() ![]() ![]() Vaughan didn't hide his influences he celebrated them, pumping fresh blood into a familiar genre. There's a certain element of truth in that, but that was sort of the point of Texas Flood. This was a monumental impact, but his critics claimed that, no matter how prodigious Vaughan's instrumental talents were, he didn't forge a distinctive voice instead, he wore his influences on his sleeve, whether it was Albert King's pinched yet muscular soloing or Larry Davis' emotive singing. Vaughan became a genuine star and, in doing so, sparked a revitalization of the blues. ![]() Texas Flood changed all that, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. At that point, blues was no longer hip, the way it was in the '60s. It's hard to overestimate the impact Stevie Ray Vaughan's debut, Texas Flood, had upon its release in 1983. ![]()
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